Starring: Michael Fassbender, Katherine Waterston, Billy Crudup
Director: Ridley Scott
Screenplay: Dan O’Bannon, Ronald Shusett
Horror/Sci-Fi/Thriller, Rated: R
Running Time: 122 minutes
Release Date: May 19, 2017
Will you enter into a covenant with me to review the latest Alien movie?
No doubt the words from this review will explode from the page. Let’s recap.
We meet newly minted android David (Michael Fassbender) who has been invented by genius Weyland. Then, we flash forward to the future where the crew of the Covenant is awakened by android Walter (also Michael Fassbender) from cryogenic sleep because their ship has run into trouble. The Covenant is a colony ship taking 2000 colonists to a terra-formed planet. While repairing the ship, Captain Oram (Billy Crudup) receives a message from a nearby planet. He makes a plan to go to the planet, against the advice of his second in command, Daniels (Katherine Waterston).
A team of crew members descend to the planet and notice it is void of any animal or insect species. They discover a ship that had crash-landed there years earlier. Two crew members become infected with tiny microorganisms that soon morph into creatures that explode from the crew members’ bodies. The landing craft is destroyed and android David appears on the scene to rescue the remaining crew by taking them to a sheltered area. Soon the truth about David’s motives and his past actions on the planet becomes horrifyingly clear.
Alien: Covenant is a proper prequel to the franchise started with the original Alien film from 1979. The other so-called prequel, 2012’s Prometheus was a confusing mish-mash of science fiction tropes that never quite jelled as a coherent story. There was a lot of confusion about whether Prometheus occurred within the same universe as Alien – both among fans and the filmmakers. Alien: Covenant aims to knit the story lines of the four Alien stories with the less popular Prometheus. And I think it succeeds.
Sadly, however, Alien: Covenant is not only predictable, but borrows so heavily from Alien and 1986’s Aliens that there is nothing new to see here. When we see two identical androids, we know that there’s going to be the ol’ switcheroo at some point. It’s an idea older than Star Trek’s “Enemy Within” episode with two Kirks. We aren’t surprised when there are pods in David’s basement and a “face-hugger” erupts and kills Oram. We are only surprised that Oram is so clueless as to put his face into the pod as it slowly, menacingly, opens and undulates. We saw all of this in the classic Alien films so it doesn’t shock us as it once did.
Greg, I think you’ve pretty much nailed the main issues with this movie. It’s time for the producers and writers of the Alien franchise to make a decision about what its goals are and where it should be heading. Ridley Scott, are you listening? Yes, when we go to an Alien movie, we do harbor the sick need to see razor-toothed neo-creatures explosively burst out of live human bodies. Alien: Covenant gives us three cool body-explosions with aliens chewing their way out of a man’s back, another man’s stomach (very old-school), and one out of a man’s mouth. The CGI effects are sickeningly realistic and we love it.
But what’s the point? As you’ve said, Greg, we’ve seen this before and we’ve also seen “synthetics” who oscillate between good and evil. The franchise desperately needs to move forward with fresh storylines that go beyond mere survival from face-hugging biological weaponry. The idea of a Prometheus race of superhumans who created homosapiens on earth is promising but the concept is barely explored in these past two Ridley Scott films. Let’s hope we see some much-needed inventiveness in the next Alien installment — and this inventiveness needs to extend further than showing a new bodily orifice from which a creature explodes.
The hero structure is a bit muddied. We’re not sure who we’re following in this film. At first it looks like we’re following Walter since he’s the android running the ship when the prologue is over. Then it looks like an ensemble where we’re following the crew of 12. But then the story appears to focus on Captain Oram and his difficult decisions to both save the colonists and his crew. But ultimately, it is Daniels who is the hero of the story since the rest of the crew is picked off one-by-one and Oram gets an embrace from an alien. I found it hard to know who was the main character.
As far as transformations go, there aren’t any to speak of. Oh sure, people are transformed into alien fodder. And aliens seem to go from pods to full-grown Xenomorph. Nobody really learns anything. Daniels seems like a strong character at the beginning and it’s no surprise when she goes full “Ripley” on the alien when the chips are down. This is a classic horror film set in outer space. No one really needs to grow or change since scaring the audience is the priority.
You’re right, we have a large hero ensemble operating here, although it could be argued that ultimately this is a story of two cyborgs, Walter and David, who operate not as buddy heroes but as rival heroes. The human characters are a large group and so we don’t really have sufficient time to bond with any of them, which is unfortunate. They all die one by one, and in true Ridley Scott fashion, at the end the remaining hero is a woman who is at the mercy of evil forces beyond her control. The filmmakers here have once again set the table up perfectly for a sequel.
Although it is true that there are no real transformations among the humans, the synthetic David has undergone a transformation toward the dark side. The unfortunate aspect of his transformation is that it occurs off-camera and we’re only told (sort of) how he came to destroy the Promethians and why he is now enamored with the alien creatures. There are a lot of physical transformations going on among the Xenomorphs, some of them inexplicable, but these physical changes are consistent with previous incarnations of the Alien franchise.
Alien: Covenant is a good prequel to the Alien series and a much better addition to the franchise than Prometheus. While I was entertained, there wasn’t much depth to the story and we didn’t see much that we haven’t seen before. I give Alien: Covenant 3 out of 5 Reels.
The heroes are hard to measure. In the end, I would say that Daniels is the hero as she is the last woman standing. I give her just 2 Heroes out of 5. Finally, the transformations are hard to find as well. Daniels seems to go from a submissive follower to a true leader and warrior. I give her transformation 2 out of 5 Deltas.
We’re basically on the same page here, Greg. A total of 3 Reels out of 5 seems about right for a movie that delivers all the blood-splattering alien killings that we hope for in an Alien film. One hopes that the next installment introduces some fresh storytelling ideas. Daniels is certainly one of the heroes in this ensemble, but I see the duo of synthetic beings, Walter and David, as the main hero pairing. Their story is fairly solid but hardly memorable, and so 2 Hero points out of 5 seems right to me. The paucity of transformations is another weakness of this film, so like you, Greg, I can only award 2 transformation Deltas out of 5.