Starring: Reese Witherspoon, Michael Sheen, Nat Wolff
Director: Hallie Meyers-Shyer
Screenplay: Hallie Meyers-Shyer
Comedy/Drama/Romance, Rated: PG-13
Running Time: 97 minutes
Release Date: September 8, 2017
Scott, it looks like Reese Witherspoon finds there’s no place like home.
Every good hero story is about self-discovery and home-discovery. Let’s recap.
We meet forty-year-old Alice Kinney (Reese Witherspoon) who is separated from her husband Austin who is a music producer. She’s moving back to her childhood home with her two children Isabel (Lola Flanery) and Rosie (Eden Grace Redfield). Her new home is actually where she grew up with her late father who was a director of some classic films of the 1970s.
We also meet three twenty-something young men Teddy (Nat Wolff), Harry (Pico Alexander), and George (Jon Rudnitsky) who have just won a prize at a film festival. The three have been kicked out of their home for lack of payment. Harry (the director) meets Alice at a bar and they hook up. Long story short, she learns of his dilemma and invites him and his friends to move into the guest house until they get on their feet.
The three young men settle into the guest house and immediately prove themselves to be useful around the house. They also become excellent male role models for Alice’s two young children. The men also begin to get a taste of career success, although there is tension when George begins going solo professionally. Meanwhile, husband Austin misses Alice and makes a surprise visit. Sparks fly when he begins to feel threatened by Teddy, Harry, and George’s presence around Alice and the kids.
Scott, Home Again is a confusing mess. My first and biggest complaint is – why are there three men living in her guest house? That is, the three of these characters could easily have been rolled into one and the story would have been that much simpler to tell and that much easier to follow. Indeed, each of the male characters offers a dimension that Alice admires in a man. I kept thinking to myself – “This is one character with three heads.”
The other complaint I have about this movie is that it is horribly uninteresting. We never get deep enough into any one character’s issues that we care about what is happening to them. It’s a straight line from beginning to end with few twists or turns. When the estranged husband finally shows up, there’s a bit of fisticuffs and then – nothing really happens. This movie is one dull minute after another.
Therein lies the problem, Greg. There isn’t enough material here to sustain a 90-minutes movie, and so the writers split up one character into three parts for the purpose of creating more needless dialogue. We know that one of the men has a fling with Alice; another one loves her but doesn’t act on it, while the third just hangs around to offer observations about what’s happening. Two of the three also begin stealth solo careers that have no bearing on the plot whatsoever but do create needless tension among the three.
This movie tries to match the intelligence and wit of the 2009 movie, It’s Complicated. Both films feature a middle aged woman who gets divorced and is pursued again by her ex, only things are complicated by the fact that the woman is happy being on her own and has another love interest on the side. It’s Complicated benefits enormously from the performances of Meryl Streep and Alec Baldwin, whereas Home Again only has Reese Witherspoon — and it isn’t enough.
Home Again is a lackluster portrayal of a middle-aged woman having a fling with a younger man. It doesn’t delve deeply into anyone’s character for us to care whether this works or if it’s moral. Reese Witherspoon is wasted in this film and the direction is haphazard. I give it just 2 out of 5 Reels.
Alice is the lead character in the film and does fairly well as a hero. She’s decent and strong. In the beginning she feels she needs a man to satisfy her needs and in the end realizes that she’s fine by herself and still finds a way to mix her family in a way that everyone benefits. I give her 2 out of 5 Heroes.
And Alice’s transformation from needy and insecure to self-sufficient and secure is clumsily delivered but present nonetheless. I give her transformation 2 out of 5 Deltas.
Home Again is a vanilla ice cream cone that’s sat out in warm air too long. It’s soft and drippy, makes a mess on your hands, and is ultimately unsatisfying. I can see the comedic premise, but then again so did the makers of It’s Complicated eight years earlier, only they did a much better job. This film is a throwaway effort about which the less said the better. I give it (generously) 2 Reels out of 5.
Alice is a strong hero who, like most heroes, receives help from friends and mentors, enabling her to adjust to her new life in California. She’s a good character trapped in bad movie. A rating of 2 Hero points out of 5 seems right to me. Alice’s transformation toward greater self-confidence is notable here, but more important to me is the transformation of her children.
This film underscores how much children benefit from healthy adult role models and support figures. Overall, a Delta score of 2 out of 5 seems right to me.