Starring: Storm Reid, Oprah Winfrey, Reese Witherspoon
Director: Ava DuVernay
Screenplay: Jennifer Lee, Jeff Stockwell
Adventure/Family/Fantasy, Rated: PG
Running Time: 109 minutes
Release Date: March 9, 2018
I thought this was a movie about an old guy who arrives just in time.
Chris Pine has just enough gray in his beard for you to be right, Greg. Let’s recap.
We’re introduced to young Meg Murry (Storm Reid) who is bullied at school because her astrophysicist father (Chris Pine) went missing four years ago. She has an adoptive brother, Charles Wallace (Deric McCabe) who is a child savant and sees the world in ways that Meg cannot, her pain at being abandoned by her father blocking her vision. Then one day, a magical “witch” appears – Mrs. Whatsit (Reese Witherspoon) – who tells her that she and her brother are able to follow her father through the magic of the Tesseract – a way of folding space-time that her father and PhD mother were researching.
Two other magical witches appear, Mrs. Who (Mindy Kaling) and Mrs. Which (Oprah Winfrey), and joining the kids on their journey to find their father is neighborhood kid Calvin (Levi Miller). The witches first take the kid to a luminous planet with intelligent flowers who inform them that Mr. Murry had been there but had left. Here they also learn about the great evil force of the universe, IT, which is spreading. They must find their father on the planet Camazotz where they must defeat evil to find Mr. Murry.
Scott, it’s rare for a movie to be better than the book, but A Wrinkle in Time succeeds. The book is plagued by a first-half that merely takes our heroes from exotic planet to exotic planet without furthering the plot. This incarnation abandons the world-building-for-world-buildings-sake plot for a more compact telling.
However, the movie maintains a critical problem with the book in that it has no clear villain. The “IT” is an amorphous blob that reaches out into the universe like spiney tindrels. As we noted in our book Reel Heroes and Villains the best villains are those who have a physical, personal presence. These sorts of “pure evil” villains leave little to the imagination and are difficult to have an argument with.
Director Ava DuVernay eventually uses the device of having Charles Wallace be possessed by the IT so that Meg can have an emotional discourse with IT. While it’s not particularly entertaining, it is much better than fighting a largely unseeable villain.
Greg, A Wrinkle in Time is a movie with a big heart and certainly means well. Somehow, this noble intention coupled with big star-power doesn’t add up to a successful movie. My theory is that the film does a poor job of identifying its audience. If it’s pitched to kids, then why throw around fancy theories of space and time? If it’s pitched to adults, why give us dialogue at the second grade level? It doesn’t help that the three witches are silly-looking and even sillier-sounding. I recently watched The Wizard of Oz — its 1939 rendition of Glinda The Good Witch far outshines Wrinkle’s CGI-infested portrayals of Who, Whatsit, and Which.
I did enjoy some elements of the film, particularly its message of the unsurpassed transformative power of love. There is also a great theme of our defects hiding our strengths, with our wounds being the place where the light enters us. These are great messages to pass onto both kids and adults.
Scott, director DuVernay has been criticised for her use of a young Black girl as the protagonist. I’ve read complaints that Wrinkle is a love letter to them. If so, then good for her. So many movies are aimed at young white men (think of any action adventure film, Harry Potter, Transformers etc…) that one film that lifts up and enriches girls is both far overdue and very welcome. We’re treated to a young woman who is highly intelligent, fearless, and sensitive. And she’s mentored by three strong and wise women. Despite Wrinkle’s many flaws, I suspect in 10 or 20 years there will be millions of women who look back on A Wrinkle in Time as an inspiration.
Greg, I’m shocked to hear that anyone has a problem with a female African-American playing the lead role in a movie. I think you’d agree with me that less than 1% of the movies we review feature a Black woman in the hero’s role. We need more fair demographic representation of people of color in the movies, not less.
There are some notable archetypes in A Wrinkle in Time that are worth mentioning. Our hero Meg Murry is an outcast and an orphan, which positions her as an underdog whom we root for. Another underdog is her friend Calvin who joins them on the journey. We also have the young genius archetype in Charles Wallace, who (when he’s not possessed) is smarter than any other human character. There is also the mad scientist archetype (Mr. and Mrs. Murry), the good magical Witch archetype, and the pure evil demon villain (IT).
A Wrinkle in Time is a fantastic voyage with dark overtones which I believe will become a cult favorite similar to 1984’s Neverending Story. And as with the latter film, Wrinkle has a number of flaws that make for a good child’s fantasy, but leave adults wanting. I give A Wrinkle in Time 3 out of 5 Reels.
Meg is a wonderful hero who is smart, fearless, resilient, and capable. We want her to find her father – and ultimately it is her combination of intelligence and heart that save him. She’s flawed in that she can’t see beyond the pain of her abandonment by her father and her inability to accept love and feelings as being as valid as any science. I give Meg 4 out of 5 Heroes.
You’ve nailed the archetypes: The MENTOR, the ABSENT FATHER, the MAD SCIENTIST, CHILD SAVANT, FRIEND SIDEKICK, PURE EVIL VILLAIN. This movie has them all. I award 4 Arcs out of 5.
A Wrinkle in Time is a child-like adventure tale that I would only recommend for children below the age of 10. It saddens me that the filmmakers here didn’t pitch the movie to a mature audience, because certainly the message of the film is timeless and potentially transformative for us all. I wish I could award Wrinkle more than 2 Reels out of 5 but I can’t.
There is most definitely a stirring hero’s journey here, with Meg and her friends led on an interplanetary adventure that teaches them valuable life lessons about love, loyalty, family, and good and evil. I see some classic elements of the hero’s journey, such as friendship, mentorship, and transformation. As such, I’ll award 4 Hero points out of 5.
With regard to archetypes, there are plenty of them for us to sink our teeth into. None of them moved me to any great degree, perhaps because I’m not in the film’s intended demographic. I’ll give the movie 3 archetype Arcs out of 5.