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Starring: Mark Ruffalo, Michael Keaton, Rachel McAdams
Director: Tom McCarthy
Screenplay: Josh Singer, Tom McCarthy
Biography/Drama/History, Rated: R
Running Time: 128 minutes
Release Date: November 25, 2015
Scott, it’s time to shine a little light on our latest review.
I pray that we get this review right, Greg. Let’s recap.
It’s the year 2001 in Boston and the Boston Globe has a new editor. Marty Baron (Liev Schreiber) has just read an article about how the Boston Archbishop Cardinal Law was accused of protecting a priest who was sexually abusing children. He directs Robby Robertson (Michael Keaton) to take his crack investigative team, Spotlight, and dig deeper and see how far the accusations go.
One member of the Spotlight team, Michael Rezendes (Mark Ruffalo), is assigned the task of interviewing Mitchell Garabedian (Stanley Tucci), an attorney who represents a number of victims of priest molestations. Garabedian leaks information to Rezendes that the extent of the abuse scandal is far greater than it appears. The team shows resourcefulness in uncovering the names of 87 priests whose crimes were covered up by the church.
Scott, Spotlight is a great story of team problem solving. At first the Spotlight team believes they are trying to uncover a coverup of a single priest gone bad, they soon discover there are as many as 87 pedophile priests in the Boston archdiocese. As Robertson and his team work to learn as much as they can, they are thwarted at every turn by Bostonians who don’t want the secret out. It seems everyone wants to believe they live in a good town, and to let the truth out would make Boston look very bad. It’s Nationalism at the city level.
Spotlight is a movie cut from the same cloth as The Big Short. Both these movies expose the corruptive elements of our society and how leadership (if you can call it that) often turns a blind eye to malfeasance. For me, Spotlight works better than Big Short. In Spotlight, we enjoy nice continuity in following one team of heroes throughout the story whereas Big Short presents a scattered approach that is dissatisfying. We discuss the team as an important unit of heroic protagonist in our latest book, Reel Heroes & Villains. Spotlight showcases the workings of a heroic team in wonderful detail.
The heroes in this story are what we call catalyst heroes. They don’t transform themselves as a result of their journey (which is typical of the hero’s journey). Instead, catalyst heroes transform society. We’ve encountered catalytic heroes in other movies we’ve reviewed, such as Martin Luther King, Jr., in Selma. These Boston Globe journalists truly do shake things up in the Catholic Church, right some terrible wrongs, and better society as a result.
One could also argue that these heroes occupy a category of heroes called protectors. These are heroes who look out for the underdog. They help and protect the weak, the disadvantaged, and those who cannot protect themselves. So we have a team of catalytic protector heroes who do what needs to be done to correct injustices, protect others, and reform a corrupt system. In a sense, they are a team of superheroes.
You’re right, Scott. I call such movies “cause” films because they expose some cause the filmmakers think the public should know about. Often they resemble documentaries because the cause becomes more important than the story.
Spotlight overcomes this problem to a very large degree because it focuses on the people in the story. Not only the victims, but on the reporters and how the revelations affect them personally. You mention that the main characters don’t transform. But I did see a transformation in Robby Robertson. The pedophile story had been brought to his attention years earlier but he buried it in the Metro section of the paper. He overcame his guilt and shame to lead his team to a compelling story and discovery of a nationwide conspiracy within the church to hide widespread sexual abuse within the Catholic church.
When I look for mentors, I look for a character who gives guidance and support to the heroes. Marty Baron, the new editor of the Boston Globe, performs this role. He lays down the “call to adventure” when he challenges Robby Robertson and his team to investigate Cardinal Law. Robertson first “refuses the call” – because nobody challenges the church. But Baron persists and pushes the Spotlight team to dig ever deeper.
Good call about Marty Baron, Greg. This movie drives home the important point that it often takes exotic outsiders to effect change in people and in organizations. Baron is a Jew in a city dominated by Catholics. He’s also new in town, having moved to Boston from Florida. He couldn’t be more different from the status quo, and as such he brings fresh perspectives that challenge standard practices. The hero’s journey in classic mythology is rife with examples of exotic creatures from far away lands who magically appear before the hero to help him or her resolve whatever conflict the hero faces. Yoda from Star Wars is a striking modern example.
Baron represents the mentor who arrives on the scene, unsought by the Spotlight team and perhaps even unwelcome. Yet his impact is unmistakable and positive, as they grow to discover. Another type of mentor is the one who is actively sought out by the hero. During their investigation, the team seeks the guidance of a researcher in Baltimore who enlightens the team about the huge extent of the problem. Again, it is an outsider who helps the heroic team accomplish its mission.
One last point. As we’ve seen in other movies, Greg, heroes must often overcome the influence of dark mentors. There is an older male character named Pete Conley (Paul Guilfoyle) who represents the church and whose job is to fix problems for the church such as this one. He counsels Robby, or rather tries to counsel Robby, to ignore the problem because the city needs the church, etc. Robby will not drop the case and the dark mentoring attempt fails.
Spotlight is a surprisingly good “cause” movie – mainly because it focuses on the impact the story has on the principle characters. I was also impressed that such a star-studded ensemble cast shared the “spotlight” so well. Although, the personal lives of each character got little attention, so characterization was a bit thin. But I was entertained while I was educated, which is the goal of such a cause film, afterall. I give Spotlight 4 out of 5 Reels.
The main character in this story is Robby Robertson and he has a mild transformation. But it is the city of Boston that undergoes the transformation due to the efforts of the ensemble cast. This makes them a sort of “catalytic” team hero which I give 3 Heroes to.
The secondary characters also take on mentorship roles. There’s the dark mentor Conley that Scott mentioned. As well as the newcomer Marty Baron who can see things with eyes. Their mentorship isn’t as profound as it might have been. I give them just 3 out of 5 Cast Points.
I think you pretty much nailed it, Greg. Spotlight shines a light on the dark workings of a religious organization that participated in a shameful cover-up of countless unspeakable crimes. This film is effective in portraying how a team of journalists finds its moral core so that it can shed light on a church that has lost its moral core. The acting, the pacing, and the storytelling are all exemplary. I also award this film 4 Reels out of 5.
The team of heroes at the Boston Globe are fun to watch as they unravel the mystery confronting them. They bring about transformative change to their community and to the Catholic church, and they deliver justice to hundreds of victims whose tragic stories never saw the light of day. Watching these heroes do their heroic work was gratifying. I give them 4 Heroes out of 5.
The supporting cast was strong and provided exactly what our team of heroes needed to do their job (or to make their heroic job harder). The work here is more than perfunctory but not quite exemplary. A rating of 3 out of 5 cast points seems reasonable here.