Scott, are we about to review the last Star Wars Film?
The Force is with us both, Greg. Let’s recap.
The Rebel alliance is attempting to evacuate their base when First Order ships arrive and prepare to blow the base to bits. Pilot Poe Dameron (Oscar Isaac) lights just off the main ship’s bow and leads an attack on their Dreadnaught class destroyer. They succeed at destroying the ship, but at a great cost losing all their bombers and several fighters. However, it gives the rebels time to evacuate and jump into hyperspace toward their next base.
Meanwhile Kylo Ren, sensing his mother General Leia’s (Carrie Fisher) presence, fails to fire on the resistance’s main ship. Rey seeks to learn the ways of the force from Luke Skywalker (Mark Hamill), who has exiled himself to a remote island. He reluctantly agrees. Rey also begins having telepathic communications with Kylo Ren (Adam Driver), whom she believes is redeemable. This belief appears to be corroborated by Ren’s decision to save Rey’s life at the hands of Snoke (Andy Serkis), whom he slays. Ren, however, remains on the dark side.
Scott, I have mixed emotions about The Last Jedi. On the one hand it is a proper sequel to the last film, The Force Awakens, but on the other, it seems like a scattered project that tried to accomplish too much. And with a 150-minute running time, you’d think it would have accomplished all its goals. But it does not. As with the last film, there are echoes of previous episodes which left me feeling as though the story doesn’t really move forward.
There are four distinct plotlines here. The first being the escape of the Resistance to a new base. This is Princess Leia and Poe’s story. The second is the emergence of Rey as a Jedi under the (reluctant) training of Luke Skywalker. The third is the evolution of Kylo Ren into the Master of the First Republic. Fourth and finally is the search for a thief to help Finn and newcomer Rose (Kelly Marie Tran) take down the Republic’s main ship.
The first plotline is pretty boring stuff with Poe constantly second-guessing Admiral Holdo’s (Laura Dern) authority. Not much happens here until the end. The training of Rey with Skywalker resembles much of what we saw in The Empire Strikes Back but with intercuts of Rey and Kylo Ren having inter-Force communication. Rey ultimately leaves her training before she’s finished to face Ren because she “feels there is still good in him.” This all feels very much like Empire.
Greg, this is a curious, complicated movie. There is much to like, some to dislike, and much to ponder over. My summative feeling is somewhat positive, but wow, where do we begin with all that is thrown at us in this film? You’ve pointed out the multiple simultaneous plotlines, at times exhilarating but at times delivered in a disjointed manner. There is also the bold move to redefine “the force” as more supernatural than in previous Star Wars incarnations. This cheapens the force, IMHO, yet I admit it’s handled well in the film’s final act when Luke’s magical powers save everyone’s butt.
Luke Skywalker’s persona has radically changed, which may not be terribly surprising as decades have passed since we’ve last seen much of him. Again I see some value in giving him inner conflict but at times I wasn’t sure this was the same character we’ve grown to love. There are also several strange directorial decisions by Rian Johnson. One irritation is his bizarre decision to include dozens of unnecessarily closeup face-shots of Ren and Rey. The film is long and densely packed, a smorgasbord of good and not-so-good Star Wars fare.
Although J.J. Abrams didn’t direct the film, it does have his fingerprints all over it. There is plenty of action and several powerful homages to iconic Star Wars lines involving “the force”, “help me, Obi-Wan Kenobi”, and Yoda uttering reverse sentence structures. So ultimately, we should leave the theater satisfied — assuming we can overlook the many complications.
Star Wars has become less about telling a great story, and more about creating a spectacle. The logic behind the Republic’s ships having to slowly track the Resistance is confusing. This is just a placeholder while action occurs elsewhere. The events on the casino planet have no real impact on the story at hand. But it does introduce a number of colorful characters and exotic animals that will make nice plastic toys at Christmastime.
LIkewise on the island where Luke has self-exiled himself we see very cute little bird-like creatures that have no purpose in the story except to be cute. Very much like the Ewoks. For some reason, these creatures have taken roost on the Millennium Falcon. And there are “caretaker” creatures as well as 4-bosomed sea whales which Luke milks for breakfast. None of these characters play into the plot. They are just part of Star Wars’ world building for the sake of merchandising.
Wow, you really are cynical about the merchandising placements, Greg. To be honest, I hadn’t given this much thought until now, but you may be right. We may agree about this film’s attempt to be a spectacle, and so the big question for us to consider is whether the movie is a spectacle that tells a compelling hero story. We do have heroes undergoing severe trials and transformation, which left me mostly satisfied. We also have the classic Star Wars battle between good and evil, with Kylo Ren filling the void left by the surprising death of Snoke. There’s a bit too much going on but overall the film hits enough classic Star Wars notes to produce a satisfying movie-going experience.
Star Wars: The Last Jedi was an entertaining visual feast – but pretty light fare. Star Wars has increasingly become a franchise for children and the young at heart. There are no morals or messages to take home. Characters seem to appear for little reason other than to fulfill either a gender or ethnic checklist. The story lines seem to have no real purpose other than to create a reason for flash and boom. The original Star Wars trilogy was about the redemption of Anakin Skywalker – a story with mythical proportions. I’m left asking “What is this story about?”
This latest series appears to be an attempt to right a galactic wrong – that of an absence of female characters in the Star Wars universe. As such, we get characters like Vice Admiral Holdo (Laura Dern) who does little more than stand in for Admiral Leia while she’s knocked out and to confound pilot man-child Poe by keeping him (and the rest of the Rebel fleet) in the dark about her plans. The men in this universe seem universally dim while all the women seem eternally wise. Just when you think something interesting is going to happen (will Rey and Kylo Ren rule over a new Empire?) – it doesn’t. I can only muster 3 out of 5 Reels for this film.
There are so many lead characters in this story, it’s hard to figure out who I’m supposed to care about. Rey seems to follow Luke’s storyline from Empire Strikes Back and goes to fight the dark side without full Jedi training. Kylo Ren is still impetuous and fighting authority figures – even when he’s the ultimate authority. Poe had no trajectory in this story as his only purpose was to be a loose canon. Finn goes on a merry chase with Rose and has no arc to speak of. Leia spends most of the film sleeping off a vacuum-induced hangover. Rose has the best line of the film – only to find herself unconscious in the end. Luke evaporates for unknown reasons. I can’t get excited about anyone in this film and can barely extend more than 2 Heroes out of 5 and 2 Deltas as well.
My impressions of this film are similar to yours, Greg. The Last Jedi is pretty good Star Wars but lacks sufficient cohesiveness and focus to emerge as exemplary Star Wars fare. There are a few bold moves here involving an extension of what has for decades been iconically known as “the force”. Now apparently the force involves extreme magical prowess, which is unfortunate as the force used to connote a more subtle special power that metaphorically endowed all of us with the ability to become the best versions of ourselves. Overall, I was entertained by this movie despite its flaws and I also give it 3 Reels out of 5.
There are plenty of good heroes in this movie and in fact their abundance is a drawback. Still, we are treated to the spicy hero’s journeys of Poe, Luke, Leia, Finn, Rose, and others. These heroes transform in meaningful ways; they grow in their maturity and understanding of themselves, the force, the nature of good and evil, and the world in which they live. Ren and Snoke are also formidable and interesting villains for our heroes to overcome. There’s so much going on at the expense of cohesion that I’ll only award 3 Hero points out of 5 as well as 3 transformative Deltas out of 5.