Starring: Leslie Mann, John Cena, Ramona Young
Director: Kay Cannon
Screenplay: Brian Kehoe, Jim Kehoe
Comedy, Rated: R
Running Time: 102 minutes
Release Date: April 6, 2018
Is this a movie about the NFL fullbacks – or problems with plumbing?.
There are definitely a few dozen jokes about male and female plumbing in this movie, Greg. Let’s recap.
We’re introduced to three parents who are sending their young daughters off to kindergarten. Single mom Lisa (Leslie Mann), burly Mitchell (John Cena), and geeky Hunter (Ike Barinholtz) become fast friends as their daughters also begin a life-long friendship.
Flash forward thirteen years and the girls have grown into young women on the verge of adulthood. They are planning their dates for prom and make a “sex pact.” They are going to lose their virginity on the same night. Hilarity ensues when the parents learn of this pact and are now on a mission to “block” their kids’ goal by going to prom and breaking up the group.
Greg, Blockers is a ‘screwball’ comedy – literally, as it shows both screwing and balls. The premise of the movie centers on parents who seem unable to let their nearly adult children grow up. We see parents behaving less maturely than their children, yet gradually we witness the adults reach some mature conclusions about letting their college-bound teenagers make their own decisions. The parents really are caricatures of hovering helicopter parents, so much so that it was at times painful watching their meddling antics.
Blockers is also a story about how high school seniors navigate their complex worlds. We see these young people having to overcome not only the stresses associated with coming-of-age but also the strains of dealing with smothering parents. This film wisely shows us how older teens do just fine on their own without adult interventions, and how more often than not they are able to make enlightened decisions about their own well-being and destiny.
Scott, I’m a little conflicted about the structure of the heroes in this movie. While the parents are the main characters, they are also the ones creating the obstacles for the girls. Usually, when a character opposes another character’s main goal, we consider them the antagonist – or villain. And in classic villain fashion, the parents believe they are in the right to obstruct the girls from fulfilling their pact.
In our book Reel Heroes & Villains we identify villains in the main role (protagonist) as ‘anti-heroes’. Films like Butch Cassidy and the Sundance Kid present just such characters. The lead character is not necessarily evil, but they are in the wrong. I see our ‘blocking’ parents in just this fashion.
However, we also point out that villains who overcome their negative tendencies by the end of the film are no longer true ‘anti-heroes’, but are actually ‘redeemed villains’. I think Lisa, Mitchell, and Hunter fall into this category.
Greg, that’s a fascinating observation on your part regarding the parents playing both the hero role and the obstacle role for their children. I could turn the tables on you by arguing that it is the girls who are obstructing their parents’ goal of protecting the girls from an experience that the parents don’t think the girls are ready for. Perhaps a balanced approach to the story centers on recognizing that this is an ensemble film with the parents and girls both occupying a hero space and an oppositional space to each other.
Overall, I enjoyed Blockers. While there were some cringe-worthy moments – there were others that were just downright gross. For a moment I thought I was in a Farrelly Brothers film. We’re witness to a beer “butt-chug” where Mitchell has to imbibe a 40-ounce lauger rectally. And there’s a vomit scene where the three teen couples puke on each other in the back of a limo. If you’re at all squeamish, Blockers will not be for you.
And the ending wrapped up in a pretty stereotypical Hollywood fashion. Each of the parents has a heart-to-heart with their daughters that would make any parent weep – but we also know are pretty unrealistic. Mitchell interrupts his daughter’s “experience”, body slams her date, and then she tells him how much she loves him for preparing her for life. Similarly, Hunter’s daughter comes out to him and he promises to be more involved in her life after being absent for five years.
In both cases we get the “warm fuzzies” – but the reality is that these young women would probably have more choice words for their fathers – and rightfully harbor some resentment. But this is not a film about reality. It’s about mining the deepest fears of modern parents and exposing them for yuks. And, mission accomplished. It was fun if not believable.
Blockers is an amusing albeit lewd and crude look at parents and older teens both coming of age. It’s not unusual for storytelling to focus on kids acting more grown-up than the grown-ups, and here we see it in full measure. The abundance of gross-out scenes (such as an explosion of assbeer fluid) does undermine any kind of serious message. However, none of the sophomoric humor deterred me from deriving some mild enjoyment from the film. I award Blockers 3 Reels out of 5.
There is well-defined hero’s journey here featuring the girls embarking on a prom night adventure and the parents engaging in a ridiculous effort to thwart the girls’ adventure. There are a few elements of the classic hero’s journey present, such as various helpers and roadblocks, and there’s also no doubt all six of our main characters undergo a significant mental and emotional transformation. For these reasons I can award our heroes 3 Hero points out of 5.
Numerous archetypes are apparent in this film. We have parents who won’t let their children grow up, teenagers who are intent on losing their virginity, a seeming outcast (Kayla) who is embraced by society, a pothead (Connor), and young people who come of age. These archetypes merit a score of 3 Arse-Arcs out of 5.
I don’t have much to add to your assessments, Scott. I found Blockers and enjoyable and farcical look at a major parental turning point: the letting go of our children as they become adults. I give this film 2 out of 5 Reels.
The heroes are the parents and they are also the antagonists. But their hearts are in the right place and in the end they realize the folly of their ways. I give these REDEEMED VILLAINS 3 out of 5 Heroes.
And there are plenty of stereotypes as well as archetypes. DUMB PARENTS, VIRGINS, LESBIANS, and SMART KIDS. I give them 2 out of 5 Arcs.