Greg, is this film a remake of Grand Budapest Hotel?
No, it’s like the Hotel California – you can check in but you can never check out. Let’s recap.
We meet two bank robbers, Waikiki (Sterling K. Brown) and Honolulu (Brian Tyree Henry) who unsuccessfully rob a bank vault with Honolulu getting shot in the process. Waikiki takes him to the Hotel Artemis, which is a secret hospital that treats high-level criminals. The hospital is run by a semi-elderly Nurse (Jodie Foster) and her hulking assistant Everest (Dave Bautista). This is no ordinary night at the hotel, as several other interesting guests arrive.
All the guests have code names based on exotic locations. We’re introduced to femme-fatale Nice (Sofia Boutella, who has history with Waikiki), and weasel Acapulco (Charlie Day). What Waikiki did not know is that his brother has stolen a pen-vault that contains millions of dollars worth of diamond owned by the Wolf King (Jeff Goldblum). It won’t be long before the Wolf King arrives and all hell breaks loose.
Greg, Hotel Artemis is a clever depiction of a not-too-distant-in-the-future dystopia, with rioting in the cities and organized criminals running amok. Initially I had trouble getting into this film and was about to write it off as lightweight fare, but things got interesting at the halfway point. On this night the hotel has attracted several memorable guests whose intentions are not pure – who would have anticipated such an eventuality at a criminal hospital?
This film works on the strength of its visuals — the hotel itself is an unforgettable character, with its vintage murals, elevators, dials, and accessories. Jodie Foster shines in her portrayal of a woman with a secret that tears at her heart; Sofia Boutella delivers a memorable performance as a ruthless hit-woman; Sterling Brown is a brave, loyal friend; and Dave Bautista basically plays the same likeable character that he plays in Guardians of the Galaxy. Even Jeff Goldblum gives this movie a playful boost. The ensemble cast pulls off a nice story with a satisfying ending.
Hotel Artemis is an unusual story. It’s all based on honor among thieves. There are rules at the Artemis: no guns, nobody kills anyone, no cops allowed, and nobody uses their real names. And, of course, rules are made to be broken and all of the rules do get broken. Things go awry when a cop who knows Nurse asks for help. Nurse lets her in because she knew her long-ago dead son. Waikiki fashions a gun from a 3-D printer. Eventually, Nice kills the Wolf King, and the cop exposes Nurse’s real name.
It’s hard to say who is the hero of this film. Nurse and Waikiki lead the story, but this is hardly a buddy story. It’s more of an ensemble treatment where everyone has something they desperately desire and something to hide. It’s the tension between these different goals that push the story along and make the characters relatable. Despite the fact that everyone is this story is in some way villainous, we pull for them to get what they want. And in the end, most of them do.
Hotel Artemis is a highly creative and enjoyable depiction of a dark future for Los Angeles — and presumably for the rest of the world. This film boasts a tremendously talented ensemble cast that carries us emotionally scene by scene. One sign of a successful movie is that it leaves me wanting more; I want to know more about the Nurse, about her son, and about the dark connection between her son and Wolf King. Not to mention more about Everest and how he developed such a deep loyalty to the Nurse and her cause. This film is not likely to win any awards but it’s still worth viewing. I give it 3 Reels out of 5.
The main hero in this ensemble is the Nurse, and her hero’s journey is proof that a hero doesn’t need to travel physically anywhere to go on her journey. The hero’s path is always a path toward inner discovery, and the Nurse must discover the truth about her son’s past and the nature of his demise. She takes risks, makes self-sacrifices, and in the end lives the life she is meant to live on her own terms. I give our hero a rating of 4 Heroes out of 5.
Archetypes abound in this film, many of them dark archetypes that I enjoy calling ‘darketypes’. The Nurse is the classic ‘healer’; Everest is the prototypical guardian of the Artemis galaxy; the Wolf King is the mastermind hero, and his son is the dark prince in Paul Moxnes’ deep role theory. Nice is more than a mere femme fatale — she is the most dangerous individual in Artemis, a true archetypal killing machine. All these archetypes are worthy of a rating of 3 Arcs out of 5.
I might disagree with you on the awards front, Scott. This film has a lot of original special effects and offers a unique dystopian future. I can see Nebula awards for science fiction and even Golden Globe and Academy awards for the performances. I’m reminded of the Purge movie franchise. It’s a similar, bleak view of the future and has a similar dark feel. I give Hotel Artemis 4 out of 5 Reels.
As an ensemble cast, I see several anti-heroes. Nurse is performing illegal operations on criminals. She’s a benevolent character, but she’s lost her medical license because she fell into drugs and alcohol after the death of her son. Waikiki is a bank robber and a thief. But we admire him for his tenacious duty to his brother, Honolulu. Nice is a vicious assassin who seems to be heartless. But in the end, fights off a band of evil minions to help Nurse and Waikiki escape. I give this cast of anti-heroes 4 out of 5 Heroes.
You’ve nailed the Archetypes in this movie, Scott. But I liked them more than you and award them 4 out of 5 Arcs.