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Scott, it’s time to look back at the best movies we saw in 2014.
There was much to admire in the movie industry in 2014. Let’s compare our individual top 10 lists.
For me, I listed my favorite films by how badly I wanted to see them again. I also ranked them based on how much I was entertained. Here’s my list:
Greg’s Top 10
10: Captain America: The Winter Soldier
9: The Hunger Games: The Mockingjay: Part 1
8: The Fault in Our Stars
6: Jersey Boys
4: Gone Girl
I based my list on the depth of the story and the quality of the filmmaking. Also factored in, of course, was the juiciness of the heroes and villains in the movie. Here’s my list:
Scott’s Top 10
That’s a great list. I see a few there that were just outside my top 10. It would take too long to go into detail on all 20, so let’s just compare notes on each of our top 5.
You selected Whiplash as your #5 pick, which was my #2. I was captivated by the intensity of J.K. Simmons’ performance as the perfectionist villain/mentor. It was a complex film all about the strength of the commitment of the lead (Miles Teller) to stand up to the unrelenting bullying of his teacher. I was totally sucked in and would definitely see this film again.
Whiplash is a fascinating coming-of-age tale with a dark edge to it. A beastly mentor figure attempts to hurl our hero toward destruction, but with love and encouragement from his good mentor, our hero musters up the strength and courage to outwit his evil foe.
Let’s now turn to your #5 pick, Interstellar. This movie didn’t crack my top 10 list but as a science fiction buff I enjoyed it immensely, Greg. Interstellar made me think, not just feel. We are treated to fabulous CGI effects, but more importantly we are compelled to ponder deeply about our place in the universe and what lengths we would go to save our planet. The integration of love and gravity as the glue that binds us all together is an inspiring take-home message.
It’s true, Scott, this movie was a technical marvel. And it held itself up to high scientific standards. It was made with the best understanding we have today of what interstellar travel would look like. Plus, it was mind-bending in the ways of time distortion and time travel. But for me the clincher was the bond between father and daughter. As the father of two girls, that hit home for me more than anything else. And that’s why Interstellar was in my top 5.
Appearing at #4 on my list is Gone Girl. This was a surprising film, especially if you went in without having read the novel. It starts out looking very much like something out of the tabloids where the husband is a suspect in the disappearance of his wife. Then at the halfway point, we learn that it was the controlling wife who was framing her husband for her own death. The movie takes a sharp turn and the villain and victim are reversed. That made for a thrilling roller coaster ride.
Gone Girl is #3 on my list of Best Movies of 2014. This film is a stylish portrayal of love, treachery, and murderous revenge. It drags us through the muck of human relationships and the nadir of human conduct. I enjoyed this movie despite the fact that afterward I was left feeling alarmed and ashamed of the human race. The film also features one of Hollywood’s most formidable and memorable villains we’ve seen in years. I believe her level of malevolence rivals that of Hannibal Lecter.
Our next movie is St. Vincent, which occupies #4 on my top-10 list. This film packs a powerful emotional punch toward the end — I found myself shedding a tear or two while Vincent’s heroism is being honored by Oliver and others. It’s a poignant tale of an unlikely pairing of people who save each other. St. Vincent is also a great buddy hero story, with young Oliver mentoring Vincent, his mother, and his entire school about the definition and complexity of sainthood.
I liked St. Vincent, too, but not as much as you did. Bill Murray starts out looking like a slob and ne’er do well. But in the end we peel away the onion skin to reveal a sweet core. As much as I liked this film, I didn’t think I’d get anything more from a second look, so it didn’t make my top-10.
At the number 3 spot on my list is Nightcrawler which fascinated me (much more so than it did you, I think). We’re introduced to naive yet unsavory Louis Bloom who wants to get into the video news business. We follow him as he becomes more and more corrupt, staging events so that they become newsworthy – even the death of his partner. It was a wicked anti-hero story that was crafted so well that I want to see it again to watch Louis’s descent into villainy and to see how it was accomplished.
Greg, I was just as fascinated as you were by Nightcrawler. The film was impeccably made but I could not bear to honor a movie that shows us two relentless hours of the devil in human form at work on the streets of Los Angeles. I was disturbed by the main character — notice that I cannot call him a hero — and his wanton disregard for human life. It was disheartening that no heroic character in the film could even come close to combating him. Our main character is pure evil running roughshod over everyone in his path. Like a cancer, he just grows and grows in his size and power, and he is shown flourishing in the end. The absence of any hero story here motivated me to omit this film from my top 10 list.
Our next movie is Selma, which I ranked as the #2 movie of the year while you gave it top billing. Never have I seen a better demonstration of the need, rationale, and effectiveness of nonviolent demonstration. It could be an ideal instruction manual for those wanting to emulate King’s (and Gandhi’s) model of bringing about peaceful sociocultural change. The heroic mentorship of Martin Luther King, Jr., is shown in fabulous detail here. King was miles ahead of everyone in his moral understanding of the world, and he also had the strength and charisma to move mountains.
Yes, Scott, all that is true. But the reason I gave Selma my #1 spot is because it echoes the problems we still see today. We still have voter obstruction through the imposition of unbalanced voter identification requirements. And we still see the brutal beating and killing of people of color by police – without due process of the perpetrators of that violence. Selma reminds us of the battles that have been won and the battles we have yet to fight.
And that brings us to your #1 pick for the year: Birdman. It didn’t make my list of the ten best because I really didn’t want to see it again. It was a skillfully made movie with a lot of subtext and art. But it was a very huge wink to itself and the Hollywood community. It was incredibly self-indulgent and I felt that it wasn’t made for me, the average movie viewer, but made for the Hollywood elite. It wasn’t even released to the general public until the new year so that “everyman” could see it. Despite its technical achievement, I felt alienated and I won’t be going back for seconds.
Greg, my number 1 choice, Birdman, reminded me so much of one of my favorite novels, Song of Solomon by Toni Morrison. This film is a complex and gripping piece of cinematic art. It is exhilarating, thoughtful, and complex. We are treated to intelligent character exchanges and nimble camera direction. Most notable about Birdman are the extraordinary performances from the cast. Keaton and Norton deserve Oscar nods for their portrayal of two men attempting to overcome powerfully neurotic, loveless lives. These are men who dive into the acting profession because it is a reprieve from the facade of reality. The themes of authenticity and flight to freedom sustain our attention and (for me) encourage a second visit to the theater.
So there you have it. Our top 10 lists overlap somewhat but there are some key differences, too. Overall, I would give the movies of 2014 a rating of 3 and a half Reels out of 5. The quality of films started out poorly but finished fairly strong. I believe 2013 was a slightly better year in the movies; I’d give 2013 a rating of 4 Reels out of 5. You can read our reviews of the films of 2013 in our first book: Reel Heroes: Volume 1.
Scott, I think your summation matches the industry assessment as well. The 2013 domestic box office receipts tipped the scales at $10.9 billion. Whereas the 2014 income figures are around $9.8 billion. While we had a crop of good films this year, many of them didn’t arrive until Oscar season. The 2014 crowd of summer popcorn films had less staying power than in 2013, as well.
We’ll be collecting our reviews of 2014 (plus our insights into what makes a great hero and villain) in our upcoming book Reel Heroes: Volume 2: The Villains (due out in March). Until then, follow us as we review the movies of 2015 which will focus not only on heroes and villains, but also on supporting characters. And look for our review of the Best Heroes of 2014 and Best Villains of 2014.